Tuesday, November 14, 2017

Lessons in Forgiveness

In Marilynne Robinson’s Gilead, one peers into the perspective of a dying John Ames as he writes a last letter to his son. At the outset, it appears that Ames simply wishes to recount his life, granting his son insight into events and memories he will not have time to personally share with him. However, as his writing progresses from passing thoughts and benign recollections, recurrent subjects and themes appear. By the end of the novel it is apparent that Ames wishes to impart wisdom on his son so that he may fare better with the same struggles and uncertainties Ames reflects upon. Among the lessons Ames shares, none appear as powerfully as his teachings on forgiveness, a topic that haunts him and his family.
The tense relationship between Ames’ grandfather and his father outline the consequences of unforgiveness. Split by the Free Soiler movement in Kansas, the two approach the topic with entirely opposite mentalities. In fact, when Ames’ grandfather leads a sermon justifying the war effort, Ames’ father is so distressed he temporarily joins the Quakers (99). Ames’ father only returns from his self-appointed exile to preserve the health of his ailing mother, not because he forgives his grandfather (194). From other excerpts regarding their interactions, one surmises that their relationship remains uneasy. Ames remarks that neither of them forgave one another for taking the “wrong path,” only agreeing never to openly discuss the conflict (36). Failure to bury the hatchet contributes to one of Ames’ father’s deepest regrets. Looking for his father in Kansas, Ames’ father remarks remorsefully that, “the last words he said to his father were very angry words and there could never be any reconciliation between them in this life,” (10). Stubborn to the end, both men’s inabilities to forgive one another produce an everlasting blemish between father and son, shrouding Ames’ father in grief.
One observes a similar series of failed interactions between Ames’ father and Ames’ older brother Edward after his return from Germany. Rather than a concrete disagreement as was the case between father and grandfather, Ames’ father finds trouble reconciling his spiritual differences with Edward. This issue reveals itself when Edward refuses to say grace claiming, “When I was a child, I thought as a child. Now that I am become a man, I have put away childish things,” (26). Upon hearing this, both of Ames’ parents treat Edward as a corrupting influence, refusing to accept him as he is.  Edward, while less forceful, shares in this conflict by telling a young Ames, “This is a back water—you must be aware of that already.  Leaving here is like waking from a trance,” (26). Moving forward, Ames’ parents essentially disown Edward, and Edward demonstrates no real desire for acceptance. However, Ames’ father eventually forgives Edward and moves to his property on the Gulf Coast (234). He even agrees with some of Edward’s previous remarks by referring to Gilead as a “relic, an archaism,” (235). Stemming from his change of heart, Ames’ father’s experience demonstrates the reward that comes from forgiving.
The most blatant conflict concerning forgiveness revolves around Ames and Jack Boughton. Ames’ battle with Jack derives from a series of past misdeeds, most notably his abandonment of his child and the mother of his child. The fact that Jack never attempts to adopt the child or make things right leads Ames to state, “I don’t forgive him. I wouldn’t know where to start,” (164). This distaste for Boughton persists, unveiling itself steadily as Boughton interacts with Ames’ family.  When Jack first meets his family, Ames’, a man who espouses on the necessity of proper word choice earlier in the novel, first refers to Jack as a “creature,” (92). Even after a few personal meetings with Jack, Ames still writes to his son, “My impulse is strong to warn you against Jack Boughton,” followed later by, “He is not a man of the highest character, be wary of him” (125). This continues until his final discussion with Jack, in which they talk about the family issues tormenting him. Ultimately, Ames puts aside past grudges, offering Jack money and even blessing him on his departure (241). Later, Ames tells old Boughton, “I love him as much as you meant me to,” (244). In this way, Ames’ forgiveness grants him the love of an adult son, something he yearns for but would never have known otherwise.

                Ames does not relay these accounts to his son as a show of character, but to mold his character. He demonstrates that even coming from a preaching background, he still wrestles with the necessity of forgiveness. With his experiences, he hopes that his son will navigate the world a more immediate urgency to forgive others lest he suffer the same pitfalls as his predecessors.

3 comments:

  1. Although you make an efficacious argument for forgiveness as the central theme of Gilead, I challenge you to look at family relations, more specifically father-son dynamics, as the unifying theme in Robinson’s work. Upon beginning the novel, readers learn that Ames’s first wife and infant died in childbirth, a tragedy which has made him more appreciative of familial relations as exemplified in the quote, “I'd never have believed I'd see a wife of mine doting on a child of mine. It still amazes me every time”(52). Additionally, much emphasis is placed on parallels between the men in each generation. This is seen most blatantly through the preacher profession(6), but is also used to preface the advice Ames passes down, recounting “This is an important thing, which I have told many people, and which my father told me, and which his father told him…”(124). Moreover, the examples of forgiveness that you presented -the tension between Ames’s father and grandfather and the situation regarding Edward– each also relate to family. Even the grudge held against Boughton can be tied to this value through the story of his abandoning his wife and child. There lies a clear juxtaposition between Ames’s family and the references to scripture, as much of the Catholic faith is explained through God the Father and his son, Jesus. These connections, as well as the nature of the novel as a letter dedicated from father to son, show the overarching theme is not forgiveness but the value of father-son relationships.

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  2. I agree with your blog post. Forgiveness is most definitely one of the core themes throughout Marilynne Robinson’s Gilead, as shown through his changing relationship with Edward and Jack Boughton, as well as in his revelations about the qualms between his father and grandfather. However, I also think that Robinson’s novel is partly about John Ames struggling to forgive himself. Even at the start of his letter, he apologizes to his son for not being able to leave much materialistically for him or his mother after his death except for this letter (Robinson 7-8). His recounts of his father and grandfather’s fights and every day actions are intermixed with these regrets that Ames does not have more time with his own son, but his tone is not always remorseful of how he could have changed. About halfway through the novel, Ames writes he is trying to make the best of his situation in the moment through writing this letter he hopes to express things he might have never had the opportunity to say (102). But these shifts in attitude do not progress or regress linearly throughout the novel. In the final pages, Ames writes, “I woke up this morning thinking this town might as well be standing on the absolute floor of hell for all the truth there is in it, and the fault is mine as much as anyone’s” (233). It is evident that Ames throughout the novel is battling an internal conflict between forgiving and regretting certain aspects of his life. Like his recounts of other external conflicts, I don’t believe Ames ever comes to a firm stance one way or the other. Rather, Ames learns to forgive the things he cannot control, like his lack of time with his son and still hold himself accountable for things he could have made better in his youth.

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  3. Along with Molly, I also believe forgiveness plays a major role in the novel. I do believe though, that forgiveness presents itself in a way we are not used to see in most novels, as the way the characters approach forgiveness may be a little more skewed than one is usually used to. For example, John Ames and his father go adventuring to find Ames' grandfather's grave and eventually find it. When this occurs, John Ames' father recounts, "'I would never have thought this place could be beautiful. I'm glad to know that"" (Robinson 15). Although this thought may not seem like forgiveness at first glance, I do believe by Ames' father admitting the place where his father is buried is beautiful, he finds peace with his father's death and forgives him in a strange way. Also, towards the end of the novel with the conflict between John Ames Boughton and John Ames begins to dies down, Ames asks Boughton if he is able to bless him. The act of Boughton allowing Ames to bless him, specifically in a public area, shows how the two were able to finally push aside their differences, and although they may never agree with each other, they finally possess the ability too see each other's point of view, an important form of forgiveness for the two as they held each other's opinions against one another.

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